This website is a collection of work made across different periods, disciplines and ways of working.
It is neither a conventional portfolio nor a complete archive. It is a fragment of more than forty years of making, with a particular emphasis on the ideas, experiments and work of the last twenty. Some of the work is resolved; some remains exploratory. Together they offer a view into an ongoing creative practice.
The work is presented across three broad areas. They are distinct in their appearance and methods, but connected by a continuing interest in space, place, time and human existence—and in the relationship between the world we inhabit and the world we imagine.
01 — Space / Construction
Architectural and abstract drawings made primarily in pencil on paper.
These works begin with space: buildings, structures, fragments of architecture and imagined environments. Construction becomes a way of thinking. Spaces are built through drawing, but they are also psychological spaces—places that exist somewhere between physical architecture and the interior world.
The drawings are concerned as much with the act of construction as with the resulting image. Architecture provides a framework through which ideas, associations and states of mind can take form.
02 — Form / Digital
Three-dimensional objects, environments and drawings made digitally.
The computer provides a different kind of studio: one without the physical limitations of scale, material or gravity. Forms can be built, manipulated, dismantled and rebuilt. Colour becomes an active part of the work, while unexpected combinations and shifts in scale allow objects to become unfamiliar or absurd.
These works are deliberately process-led. Rather than beginning with a fixed image of what something should become, the process of modelling and manipulating form becomes a way of discovering what it might be.
03 — Image / Instinct
Drawings made through a more immediate and intuitive response to image.
These works begin without a fixed narrative or predetermined meaning. Forms, figures and spaces appear, collide and transform. They can be unsettling, humorous, irrational or unexpectedly familiar.
The intention is not to illustrate an experience or explain an emotion, but to allow an image to exist before it has been organised into language. Pencil and silver leaf provide a physical and tactile means of making these images, allowing instinct and association to guide the work.
Across the three areas, drawing remains an important underlying discipline. Sometimes it is pencil on paper; sometimes it becomes digital modelling or image-making. In each case, making is a form of thinking.
The website extends that idea. Digital work first offered the possibility of creating worlds that could continue to expand without depending on physical exhibition. The website provides another kind of space: somewhere work can exist, develop connections and be encountered.
It is therefore both a collection and a place to share the work—a partial record of an ongoing practice rather than an attempt to bring it to a conclusion.