Nothing was preserved in its entirety.
Surfaces were repaired rather than replaced, altered rather than removed.
Over time, each layer became evidence of another.

Eventually the distinction between construction and memory disappeared.
What remains is the record of those decisions.

Jonathan Houlding is an artist and film production designer based in the UK.

Public collections: Victoria and Albert Museum, Sammlung Lenikus, British Arts Council HK, UCL Art Museum, Fundacio Pilar i Joan Miro, The Parallel Media Group
Curator: 2009-2011The Half Shut Door, Cabinets, The Mulberry Tree Press
Educator: Visiting Interdisciplinary Tutor, Royal College of Art, University College of the Arts - Farnham, London Metropolitan University, Slade School of Fine Art Summer School
Awards: Thames and Hudson Award (RCA), The Parallel Prize (RCA)
Education: Royal College of Art

Film design website:jonathanhoulding.com